Sabtu, 16 Januari 2010
Crossed Another
Cold State Line
Miles away
From those I Love
Purpose hard to Find
While I Recall all the World
i Spoke to me
Can't help but wish that
i Was There
back Where I'd love to be..
oh yeah..
Dear God
The Only think I ask
of you is
to hold her when
i'm not around
When I'm Much
too Far away
We all
Need the person
who Can be
True to you
But I left her when
I found Her
And Now i wish
i'd Stayed
'Cause i'm Lonely
and i'm Tired
i'm Missing You
again Oh No..
Once Again
There's Nothing
Her For Me on
The Barren Road
There's No One
Here While The
City Sleeps
and all the shops
Are closed
Can't Help but
think of the times
i've had With You
Pictures and some
Memories will have
to help me through
Oh Yeah..
Dear God
The Only think I ask
of you is
to hold her when
i'm not around
When I'm Much
too Far away
We all
Need the person
who Can be
True to you
But I left her when
I found Her
And Now i wish
i'd Stayed
'Cause i'm Lonely
and i'm Tired
i'm Missing You
again Oh No..
Once Again
Some Search,
Never Finding away
Before Love They
Waste away
I found You
Something told Me
to stay
I gave in,
to selfish ways
and how i Miss
Some One to Hold
When hope Begins
to Fade
A Lonely Road
Crossed Another
Cold State Line
Miles away
From those I Love
Purpose hard to Find
Dear God
The Only think I ask
of you is
to hold her when
i'm not around
When I'm Much
too Far away
We all
Need the person
who Can be
True to you
But I left her when
I found Her
And Now i wish
i'd Stayed
'Cause i'm Lonely
and i'm Tired
i'm Missing You
again Oh No..
Once Again
Ohhh...
Yeah..
Yeahhhhhhhhhhhhhhh
Crossed Another
Cold State Line
Miles away
From those I Love
Purpose hard to Find
While I Recall all the World
i Spoke to me
Can't help but wish that
i Was There
back Where I'd love to be..
oh yeah..
Dear God
The Only think I ask
of you is
to hold her when
i'm not around
When I'm Much
too Far away
We all
Need the person
who Can be
True to you
But I left her when
I found Her
And Now i wish
i'd Stayed
'Cause i'm Lonely
and i'm Tired
i'm Missing You
again Oh No..
Once Again
There's Nothing
Her For Me on
The Barren Road
There's No One
Here While The
City Sleeps
and all the shops
Are closed
Can't Help but
think of the times
i've had With You
Pictures and some
Memories will have
to help me through
Oh Yeah..
Dear God
The Only think I ask
of you is
to hold her when
i'm not around
When I'm Much
too Far away
We all
Need the person
who Can be
True to you
But I left her when
I found Her
And Now i wish
i'd Stayed
'Cause i'm Lonely
and i'm Tired
i'm Missing You
again Oh No..
Once Again
Some Search,
Never Finding away
Before Love They
Waste away
I found You
Something told Me
to stay
I gave in,
to selfish ways
and how i Miss
Some One to Hold
When hope Begins
to Fade
A Lonely Road
Crossed Another
Cold State Line
Miles away
From those I Love
Purpose hard to Find
Dear God
The Only think I ask
of you is
to hold her when
i'm not around
When I'm Much
too Far away
We all
Need the person
who Can be
True to you
But I left her when
I found Her
And Now i wish
i'd Stayed
'Cause i'm Lonely
and i'm Tired
i'm Missing You
again Oh No..
Once Again
Ohhh...
Yeah..
Yeahhhhhhhhhhhhhhh
Music

Indonesia is home to various styles of music, with those from the islands of Java, Sumatra and Bali being frequently recorded. The traditional music of central and East Java and Bali is the gamelan.
In 1966, a law was passed (Panpres 11/1965) banning Western-style pop or rock music[citation needed]. On June 29, 1965, Koes Plus, a leading Indonesian pop group in the 1960s, 70s and 80s, was imprisoned in Glodok, West Jakarta, for playing Western-style music. After the resignation of President Sukarno, the law was rescinded, and in the 1970s the Glodok prison was dismantled and replaced with a large shopping mall. The new mall in Glodok is now the centre of recording, production and distribution of modern Indonesian pop and rock music.[citation needed]
Kroncong is a musical genre that uses guitars and ukuleles as the main musical instruments. This genre had its roots in Portugal and was introduced by Portuguese traders in the fifteenth century. There is a traditional Keroncong Tugu music group in North Jakarta and other traditional Keroncong music groups in Maluku, with strong Portuguese influences. This music genre was popular in the first half of the twentieth century; a contemporary form of Kroncong is called Pop Kroncong. In addition, there are regional variations such as Langgam Jawa, which is most popular in Central Java and Yogyakarta[citation needed].
The soft Sasando music from the province of East Nusa Tenggara in West Timor is completely different. Sasando uses an instrument made from a split leaf of the Lontar palm (Borassus flabellifer), which bears some resemblance to a harp.
[edit] Dance
There is a continuum in the traditional dances depicting episodes from the Ramayana and Mahabharata from India, ranging through Thailand, all the way to Bali. There is a marked difference, though, between the highly stylized dances of the courts of Yogyakarta and Surakarta and their popular variations. While the court dances are promoted and even performed internationally, the popular forms of dance art and drama must largely be discovered locally.
During the last few years, Saman from Nanggroe Aceh Darussalam has become rather popular and is often portrayed on TV.
[ Drama and theatre
The Javanese and Balinese shadow puppet theatre shows display several mythological events; and more.
Randai is a folk theatre tradition of the Minangkabau people of West Sumatra, usually performed for traditional ceremonies and festivals. It incorporates music, singing, dance, drama and the silat martial art, with performances often based on semi-historical Minangkabau legends and Love Storyและมีสัตว์ประหลาดเยอะ
Traditional visual arts
[edit] Painting
Indonesia is not generally known for paintings, aside from the intricate and expressive Balinese paintings, which often express natural scenes and themes from the traditional dances.
Other exceptions include indigenous Kenyah paint designs based on, as commonly found among Austronesian cultures, endemic natural motifs such as ferns, trees, dogs, hornbills and human figures. These are still to be found decorating the walls of Kenyah Dayak longhouses in East Kalimantan's Apo Kayan region.
Calligraphy, mostly based on the Qur'an, is often used as decoration as Islam forbids naturalistic depictions. Some foreign painters have also settled in Indonesia. Modern Indonesian painters use a wide variety of styles and themes.
[edit] Sculpture

Indonesia has a long-he Bronze and Iron Ages, but the art-form particularly flourished in the eighth to tenth centuries, both as stand-alone works of art, and also incorporated into temples.
Most notable are the hundreds of meters of relief sculpture at the temple of Borobodur in central Java. Approximately two miles of exquisite relief sculpture tell the story of the life of Buddha and illustrate his teachings. The temple was originally home to 504 statues of the seated Buddha. This site, as with others in central Java, show a clear Indian influence.
Architecture
For centuries, the most dominant influences on Indonesian architecture were Indian, although European influences have been particularly strong since the nineteenth century and modern architecture in Indonesia is international in scope.
As in much of South East Asia, traditional buildings in Indonesia are built on stilts, with the significant exceptions of Java and Bali. Notable stilt houses are those of the Dayak people in Borneo, the Rumah Gadang of the Minangkabau people in western Sumatra, the Batak people in northern Sumatra, and the Tongkonan of the Toraja people in Sulawesi. Oversized saddle roofs with large eaves, such as the homes of the Batak and the tongkonan of Toraja, are often bigger than the house they shelter. The fronts of Torajan houses are frequently decorated with buffalo horns, stacked one above another, as an indication of status. The outside walls also frequently feature decorative reliefs.

The eighth-century Borobodur temple near Yogyakarta is the largest Buddhist temple in the world, and is notable for incorporating about 160 relief panels into its structure, telling the story of the life of the Buddha. As the visitor ascends through the eight levels of the temple, the story unfolds, the final three levels simply containing stupas and statues of the Buddha. The building is said to incorporate a map of the Buddhist cosmos and is a masterful fusion of the didactic, the monumental and the serene.
The nearby ninth-century temple complex at Prambanan contains some of the best preserved examples of Hindu temple architecture in Java. The temple complex comprises eight main shrines, surrounded by 250 smaller shrines. The Indian influence on the site is clear, not only in the style of the monument, but also in the reliefs featuring scenes from the Ramayana which adorn the outer walls of the main temples, and in the votive statuary found within.
Crafts

Several Indonesian islands are famous for their batik, ikat and songket cloth. Once on the brink of disappearing, batik and later ikat found a new lease of life when former President Suharto promoted wearing batik shirts on official occasions. In addition to the traditional patterns with their special meanings, used for particular occasions, batik designs have become creative and diverse over the last few years.
Literature
Pramoedya Ananta Toer was Indonesia's most internationally celebrated author, having won the Magsaysay Award as well as being considered for the Nobel Prize in Literature. Other important figures include the late Chairil Anwar, a poet and member of the "Generation 45" group of authors who were active in the Indonesian independence movement. Tight information controls during Suharto's presidency suppressed new writing, especially because of its ability to agitate for social reform.

Tari Pendet pada awalnya merupakan tari pemujaan yang banyak diperagakan di pura, tempat ibadat umat Hindu di Bali, Indonesia. Tarian ini melambangkan penyambutan atas turunnya dewata ke alam dunia. Lambat-laun, seiring perkembangan zaman, para seniman Bali mengubah Pendet menjadi "ucapan selamat datang", meski tetap mengandung anasir yang sakral-religius. Pencipta/koreografer bentuk modern tari ini adalah I Wayan Rindi (? - 1967).
Pendet merupakan pernyataan dari sebuah persembahan dalam bentuk tarian upacara. Tidak seperti halnya tarian-tarian pertunjukkan yang memerlukan pelatihan intensif, Pendet dapat ditarikan oleh semua orang, pemangkus pria dan wanita, dewasa maupun gadis.
Tarian ini diajarkan sekedar dengan mengikuti gerakan dan jarang dilakukan di banjar-banjar. Para gadis muda mengikuti gerakan dari para wanita yang lebih senior yang mengerti tanggung jawab mereka dalam memberikan contoh yang baik.